Saturday, August 15, 2009 
Layer Cake (movie)
Title: Layer Cake (movie)
Director: Matthew Vaughn
Rating: 3.5 stars out of 5
Copyright: 2004

After reading Layer Cake earlier this week, I decided to rewatch the movie. The screenplay was written by J.J. Connolly, adapting his own novel. Although the convoluted plot has been much simplified and somewhat rearranged, it's still complex and tricky to follow. Most of the humor is gone, as director Matthew Vaughn didn't want to make Lock Stock III. It's more of a straight thriller. The Cockney is toned down, making it easier for a non-UK audience. And Daniel Craig is somewhat older and calmer than the narrator of the book.

The film succeeds both in its own right and as an adaptation, though I prefer the book. It was Daniel Craig's first starring role. He carries the story in his role of a coolly professional drug dealer whose world starts falling apart. The other characters are rather thin; only Colm Meaney and Michael Gambon have any heft.

Worthwhile.

posted on Saturday, August 15, 2009 8:05:35 AM (Pacific Daylight Time, UTC-07:00) 
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Wednesday, July 08, 2009 
Handbrake

We're traveling to Spain and Ireland for three weeks. I'm bringing the netbook, not the 17" MacBook Pro, because it's small and light. It doesn't have a DVD player and I'd like to bring some DVDs to watch. I could either spend about $80 on an external DVD player, or I could rip the DVDs beforehand.

I've ripped a few DVDs with Handbrake, an open source, cross-platform video transcoder, which seems to do a good job. I'm playing them in the cross-platform VLC player, which released version 1.0.0 yesterday, after almost 8 years of development.

posted on Thursday, July 09, 2009 6:57:30 AM (Pacific Daylight Time, UTC-07:00) 
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Thursday, July 02, 2009 
Public Enemies
Title: Public Enemies
Director: Michael Mann
Rating: 3.5 stars out of 5
Copyright: 2009

For 13 months in 1933–34, John Dillinger robbed banks all over the Midwest, leaving behind a legend and contributing to the growth of the FBI. Johnny Depp gives a charismatic performance of a ruthless and audacious killer, who endeared himself to the public as he liked to give money back to the customers of the banks he was robbing. Christian Bale is the cold, efficient lead FBI agent, in charge of a brutal and not very competent team, little better than the men they chased. Marion Cotillard is Dillinger's girlfriend who he's willing to brave all to be with after he breaks out of jail.

Ebert says the movie is well-researched; I'll take his word for it.

posted on Thursday, July 02, 2009 8:37:02 AM (Pacific Daylight Time, UTC-07:00) 
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Sunday, June 21, 2009 
Up
Title: Up
Director: Pete Docter
Rating: 4.5 stars out of 5
Copyright: 2009

Up is another gem from Pixar. A shy little boy Carl Fredricksen meets the exuberant Ellie, who also hero worships Charles Muntz, noted explorer of Paradise Falls. They grow old together and Ellie dies before they can achieve their lifelong dream of an adventure. With nothing left to lose, Carl attaches 10,000 helium balloons to his house and floats off to South America in search of Paradise Falls, inadvertently taking Russell, a Wilderness Explorer, with him.

The movie appealed just as much to the kids at our showing as the adults. The storytelling is first rate, combining humor, adventure, love, and pathos. The story is rooted in the lifelong romance between Carl and Ellie, which is beautifully told at the beginning, mostly without words. Pixar's animation and artwork gets better with each film: it looks gorgeous, evoking the feel of the Lost World.

Highly recommended.

posted on Sunday, June 21, 2009 7:07:10 AM (Pacific Daylight Time, UTC-07:00) 
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Wednesday, June 10, 2009 
Objectified
Title: Objectified
Director: Gary Hustwit
Rating: 3.5 stars out of 5
Copyright: 2009

Objectified is a documentary about industrial design and the manufactured objects that litter our lives. In interviews with some leading designers, Hustwit brings forth such topics as our emotional attachment to those objects; the ephemerality and planned obsolesence of most of this “stuff”; the approaches of different designers; designing the manufacturing process as well as the object; how good design often almost disappears; sustainability, when most objects end up in landfill; interaction and interface design; etc.

The danger with such a broad survey is that you can't do justice to anything. I was left wanting to know more about many of the topics. In the Q&A afterwards, Hustwit mentioned that they shot 80 hours of footage. Most of the designers were interesting and articulate; only a couple came across as pretentious twats.

Update: comparing Dieter Ram's designs for Braun in the Sixties and Jonny Ive's work for Apple today.

posted on Thursday, June 11, 2009 6:25:17 AM (Pacific Daylight Time, UTC-07:00) 
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Monday, May 25, 2009 
Terribly Happy
Title: Terribly Happy (Frygtelig Lykkelig)
Director: Henrik Ruben Genz
Rating: 4 stars out of 5
Copyright: 2008

I saw Terribly Happy at SIFF tonight.

Robert is a Copenhagen cop, demoted to a remote village in the bleak bogs of Jutland. The locals are clannish and do things their own way. Robert quickly finds himself coming between the man-hungry Ingerlise and her abusive husband Jørgen. She complains about Jørgen, but won't swear out a formal report. Robert is unwillingly drawn to her.

Billed as a “blackly comic thriller”, it's more of a psychological drama. Robert's unsmiling face carries the film.

posted on Tuesday, May 26, 2009 5:48:32 AM (Pacific Daylight Time, UTC-07:00) 
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Saturday, March 28, 2009 
By Myself
Title: By Myself
Author: Lauren Bacall
Rating: 4.5 stars out of 5
Publisher: Knopf
Copyright: 1978
Pages: 378
Keywords: autobiography, movies
Reading period: 10–28 March, 2009

Betty Bacal is an only child, abandoned by her father, raised by her Rumanian Jewish mother in New York. Stagestruck from an early age, she takes acting classes for years but gets little stage work. Modeling work is a fallback. A cover shot for Harper's Bazaar leads Howard Hawks to bring her out to Hollywood. Within months, Hawks' protogée, now Lauren Bacall, is the lead in “To Have or Have Not” and falling in love with her costar, Humphrey Bogart. Bogie is 45 to her 20, but it doesn't matter. He's married too; that doesn't matter either. They marry, of course, and have a dozen great years together until Bogie's death of cancer in ’57. She's devastated but she has two young children. On the rebound, she takes up with Frank Sinatra. It's not right for either of them and Sinatra dumps her. She spends the Sixties married to Jason Robards. Like Bogie, he's a drinker and that marriage falls apart, leaving her with a son. Her movie and theatre career has been hit or miss for years, but revives in the Seventies with a long-running stage hit in Applause (the musical version of All About Eve).

Bacall writes frankly about her life and shortcomings, looking back with hard-earned wisdom from middle age. She spends half of her girlhood at a high emotional pitch. When she plunges into something, it's total commitment; no holding back, for better or worse. Her early screen persona was as a knowing sexpot; in reality, she was unsure and inexperienced. The “Look”, her trademark upward tilting look with her chin pressed against her chest, was born of the need to still her nervous shaking.

She tells a good story, pulling the reader along. She drops many big names, having moved in high-powered circles all her adult life. The Hollywood elite of the 40s and 50s are there. Katie Hepburn becomes a close friend after The African Queen. She was close to Adlai Stevenson when he ran for President in 1952. Bobby Kennedy was a friend. The book becomes most affecting when she writes of the death of Bogie and of her beloved mother in 1969, of those last, lingering months of denial and her wrenching pain afterwards.

Highly recommended.

posted on Saturday, March 28, 2009 8:43:14 PM (Pacific Daylight Time, UTC-07:00) 
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Friday, March 06, 2009 
Watchmen
Title: Watchmen (film)
Director: Zach Snyder
Rating: 4.5 stars out of 5
Copyright: 2009

As promised yesterday, we saw the initial midnight showing of the Watchmen movie at the Pacific Science Center IMAX. And, lo, the geeks came in their numbers and they were greatly pleased. Some were dressed as Rorschach, one came as a smurf; no, I lie, he was Dr. Manhattan.

I summarized the plot in my review of the book. That still holds: the movie was largely faithful to the book. In many scenes, it was clear that the book had served as a storyboard. Too faithful in some ways at 165 minutes long. Some subplots were eliminated; no doubt they will resurface in the director's cut. The Tale of the Black Freighter has been made as a separate animated feature for the DVD. One crucial point about the ending was changed (to Peter's outrage), bringing it closer to The Dark Knight.

I found myself immersed in the movie, though sitting in front of a six-storey screen does tend to draw one in. It's a visual spectacle that couldn't have been made twenty years ago during the early attempts to turn it into a movie. It's violent, more so than the book and more shocking than the book. Unsurprisingly, much of that extra violence centers around Rorschach, the uncompromising sociopath.

The acting is adequate to the task. Nite Owl (Patrick Wilson) and Silk Spectre (Malin Akerman) are the two most normal characters and hold the moral center of the film. Jackie Earle Haley as Rorschach has the most difficult role, hidden behind a face-covering mask most of the time, trying to convey the character's tortured soul. Billy Crudup has little choice but to play Dr Manhattan as a blank cipher, while Jeffrey Dean Morgan hits the right note as the Comedian. Matthew Goode as Ozymandias comes off more as a cartoon villain than in the book.

Fans of the book will certainly enjoy it. I think newcomers will like it too.

posted on Friday, March 06, 2009 7:01:57 PM (Pacific Standard Time, UTC-08:00) 
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Thursday, March 05, 2009 
Watchmen poster

Quis custodiet ipsos custodes? (Who Watches the Watchmen?) asked Juvenal.

Answer: we do. The Watchmen movie, that is. Peter, Carol, Raven, Iain, Emma, and I are all going to see the midnight initial showing at the Pacific Science Center IMAX.

I'm not sure that I've ever been geeky enough to watch the midnight opening of a movie before. But it was Peter's idea.

Peter and I shared an apartment in 1990–92 when we were both grad students at Brown, and it was his copy of Watchmen that I first read.

And so the loop closes.

posted on Friday, March 06, 2009 2:48:09 AM (Pacific Standard Time, UTC-08:00) 
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Friday, February 13, 2009 
Gran Torino
Title: Gran Torino
Director: Clint Eastwood
Rating: 4 stars out of 5
Copyright: 2008

Clint Eastwood directs himself as Walt Kowalski, a retired auto worker. Newly widowed, estranged from his sons, and haunted by his Korean War experiences, Walt is a bitter, racist old bastard.

He doesn't like the Hmong immigrants who live next door and he nearly shoots the teenage boy, Thao, when he catches Thao trying to steal his beloved 1972 Gran Torino. The theft was to be the reluctant Thao's gang initiation. The gang come by to punish Thao and Walt runs the “gooks” off his lawn at gunpoint. The Hmong neighbors start bringing over food and flowers in gratitude. Walt is confounded and wants to be left alone. Then Walt rescues Thao's sister, Sue, from some “spooks”, and she invites him over to a celebration.

Walt slowly thaws as he realizes that he has more in common with the Hmong than he does with his own children. Thao is sent over to work for Walt as penance for the attempted theft. You guessed it, Walt and Thao begin to bond. Things go well for a while, then the gang comes back.

Eastwood is convincing as the flinty-eyed old son of a bitch who can stare down gangbangers a quarter of his age. And convincing too as the damaged, lonely old man, with a good heart under the foul-mouthed exterior.

Less convincing was the overly neat ending, when Walt goes to deal with the gang.

Recommended.

posted on Saturday, February 14, 2009 7:35:17 AM (Pacific Standard Time, UTC-08:00) 
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Sunday, February 08, 2009 
Taken
Title: Taken
Director: Pierre Morel
Rating: 3 stars out of 5
Copyright: 2008

Liam Neeson is Bryan Mills, a former CIA “preventer” who reluctantly lets his teenaged daughter visit Paris. Kim is abducted by an Albanian prostitution ring and he sets out to rescue her. Non-stop mayhem and action ensue.

Taken works fairly effectively as an action movie in the Bourne mode. The plot moves fast enough that you don't have time to reflect upon the gaping holes or the improbable effectiveness and invincibility of Mills.

Neeson carries the movie, convincing as the pissed-off hardass who'll go to any lengths to find his daughter.

posted on Monday, February 09, 2009 7:28:43 AM (Pacific Standard Time, UTC-08:00) 
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Sunday, January 18, 2009 
Milk
Title: Milk
Director: Gus van Sant
Rating: 4.5 stars out of 5
Copyright: 2008

Milk was a middle-aged closet case who moved to San Francisco in the early 1970s, became politically active, and started running for office, unsuccessfully at first. “The Mayor of Castro Street” was elected to the San Francisco Board of Supervisors in 1977, the first openly gay man to hold public office in the United States. A year later, only days after the anti-gay Californian ballot initiative, Proposition 6, went down to defeat, Milk and Mayor George Moscone were murdered by ex-Supervisor Dan White.

Sean Penn is convincing as Harvey Milk, an ordinary man who became an impassioned gay activist and an inspirational leader, unapologetic about his sexuality. Both during his life and after, Milk's example leads other people to come out and stop hiding. Milk's relentless focus on politics costs him his personal life, driving away first one lover, then another.

Josh Brolin plays Dan White, not as a caricatured villain, but as a confused and angry man, who has a difficult working relationship with Milk.

Van Sant has created a believable and gripping biopic, showing the burgeoning gay rights movement in the brief, golden decade between the Stonewall riots and AIDS.

Milk is certain to earn some Oscar nominations.

posted on Monday, January 19, 2009 7:03:41 AM (Pacific Standard Time, UTC-08:00) 
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Saturday, November 22, 2008 
Quantum of Solace
Title: Quantum of Solace
Star: Daniel Craig
Rating: 4 stars out of 5
Copyright: 2008

Daniel Craig once again plays James Bond in Quantum of Solace. Casino Royale rebooted the Bond franchise, going back to Bond's first 00 mission to recreate the character. The plot takes up where Casino Royale left off, as MI6 becomes aware of a hitherto secret organization, Quantum, a sort of latter-day SPECTRE.

Said plot makes as little sense as these plots normally do. Rich, evil mastermind wants to corner the market on <substance> as a stepping stone towards world domination; Bond follows villain and henchmen across several continents, blowing stuff up and killing people; sexy women are bedded along the way; nice suits, fast cars, and gadgets all get a workout.

Emotionally, Quantum is on a sounder footing. Bond still grieves for Vesper, who died at the end of Casino Royale. His need for revenge drives him, compounded by the treachery of a Quantum mole. This Bond is tough, but not impervious. Events have gotten under his skin. Under M's too: initially disdainful, she develops some trust for Bond.

The action is more than adequate. The first half hour is a blur of car and foot chases, bruising fights, and shootouts. A great deal more action will follow later.

Connery used to be my favorite Bond. If Craig keeps this up, he'll take the crown.

posted on Saturday, November 22, 2008 8:33:43 AM (Pacific Standard Time, UTC-08:00) 
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Thursday, November 20, 2008 
Slumdog Millionaire
Title: Slumdog Millionaire
Director: Danny Boyle
Rating: 4 stars out of 5
Copyright: 2008

Eric and I got advance screening tickets to Slumdog Millionaire, Danny Boyle's new movie about a former Indian street kid who wins round after round on Who Wants to be a Millionaire?. The show can't believe that he's not cheating, he's arrested, and the police beat the truth out of him. As Jamal tells his tale, we learn how an 18-year-old chai wallah in a call center came to know the answers.

Although there's little doubt about the ending, the journey is unpredictable. Jamal and his older brother Salim are orphaned at a young age. Latika, a girl, joins them, and they form the three musketeers. A Fagin takes them in thrall; the boys escape, Latika does not. They spend years scamming their way across India, before returning to Mumbai so that Jamal can look for her.

The teeming millions of the slums of India provide the backdrop for this movie. The brothers may be poor nobodies, but they have spirit and energy and a fierce camaraderie until they fall out.

Engrossing.

posted on Friday, November 21, 2008 6:56:10 AM (Pacific Standard Time, UTC-08:00) 
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Saturday, July 01, 2006 

At SIFF 2004, I saw an acclaimed trilogy from Hong Kong, Infernal Affairs, Infernal Affairs II, and Infernal Affairs III on three consecutive nights, Yan is a cop who's been in deep cover for ten years, infiltrating the triads. Lau is a triad who joined the cops about ten years ago, rising to the rank of inspector. Only their respective bosses, Superintendant Wong and Big Sam, know who they are. Each becomes aware of the other about the same time, and the chase to find the moles is on.

It's a tense and complex thriller and a meditation on good and evil. Yan has long blurred the line between cop and gangster. Lau is having second thoughts about being beholden to his old gang boss. Both men are in quiet agony, hating the deception and the danger.

I just watched the first movie again on NetFlix, and it holds up well. The other two movies are further down our queue. IA II is a prequel, showing Lau and Yan as young men just setting out on their long-term infiltrations. IA III is a sequel to IA I.

Martin Scorcese has remade IA as The Departed, due out later this year.

posted on Saturday, July 01, 2006 8:19:11 AM (Pacific Daylight Time, UTC-07:00) 
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Saturday, June 03, 2006 

As I implicitly promised here, we went to see Al Gore's new documentary on global climate change, An Inconvenient Truth, when it opened in Seattle last night. We brought some friends too.

Gore lays out a compelling case that global climate change is real, that it's been happening for decades, and that it's spiralling out of control. He backs it up with plenty of statistics and graphs.

  • The ten hottest years on record have all been since 1990.

  • The glaciers are in full retreat everywhere. The "snows of Kilimanjaro" are almost gone.

  • At current rates, the Arctic ocean could be ice-free by 2050.

  • If either the ice covering Greenland or the ice on the western side of Antarctica goes -- both very real possibilities -- the global sea level could rise by 20 feet.

  • That rise would devastate coastal areas everywhere. At least 100 million people would be homeless.

Gore points to a review in Science magazine of 928 peer-reviewed scientific articles discussing "climate change". Not one of the papers disagreed with the scientific consensus that "climate change" is a real phenomenon. He points to a similar review of leading US newspapers over the last fourteen years, where more than half of the articles gave equal weight to the scientific consensus and to the view that human beings played no role in global warming.

The "controversy" has been manufactured by front groups for Exxon-Mobil and other leading polluters, just as the tobacco companies tried for decades to confuse the public about the linkage between smoking and lung cancer.

Gore earned the reputation in the 2000 election of being dry and wooden, but here he's engaging and animated. It's clearly a subject that he cares deeply about, and one that he's been agitating about for more than 30 years. He says that he's given his slideshow, which we see in several forms, over 1000 times, and he's gotten very good at delivering this message. The film is filled with science, but there's also a human touch. Gore brings in elements of his own life, such as his son's brush with death that energized him to make a difference to the Earth.

Terry Gross of NPR's Fresh Air interviewed Al Gore the other day: listen to the interview or read the transcript.

GROSS: ... at the beginning of the movie, you say that you've been trying to tell this story about global warming for a long time and that you feel as if you've failed to get the message across. Why was it so difficult as a politician to get the message across?

Former Vice President AL GORE (Author, "An Inconvenient Truth"): Well, Terry, I think there are several reasons. First, it's a complex issue. When you boil it all down, it's fairly simple, but it does have a lot of moving parts. And the complexity by itself is an obstacle. Secondly, there's a natural tendency to avoid thinking about the subjects that might involve some psychic pain, and the idea that human civilization is colliding with the earth's environment is a painful reality. And, third, it's a new reality. Nothing in our history or culture prepares us for the new reality, the new relationship between human civilization and the planet's ecosystem.

We've quadrupled our population globally in the last hundred years, and we've magnified the power of our technologies thousands of times over. And when you combine those two elements, 6.5 billion people times incredibly powerful ways of exploiting nature, and then you mix in a new philosophy of discounting the future consequences of present actions, it produces this new collision, the most dangerous part of which is global warming. And so it's hard to absorb it, but I think it is now beginning to sink in. I think people are coming to grips with it, and I'm actually becoming optimistic that we're going to respond in time.

... 

GROSS: You've traveled around different parts of the world looking at the symptoms of global warming. What's the most disturbing thing that you've seen in those travels?

Vice Pres. GORE: The melting of the North Pole is one of the most urgent catastrophes that should be prevented as quickly as we can convince people to act. It's a fairly thin floating ice cap, and as you know, the Arctic and the Antarctic are very different. The Arctic is ocean surrounded by land while the Antarctic is land surrounded by ocean, and that makes all the difference in the thickness of the ice. It's 10,000 feet thick in Antarctic and less than 10 feet thick in the Arctic. Much less now. We've lost 40 percent of it in the last 40 years. And when the ice there melts, there's a dramatic change in the relationship of the surface of the Earth there to the sun. The ice reflects 90 percent of the incoming sun's energy like a mirror. But the open seawater, after it melts, absorbs 90 percent. And that's a phase change. It sets up a positive feedback loop that magnifies and speeds up the melting process.

And the North Polar ice cap is in grave danger now. And nearby the great ice mound of Greenland is under increasing pressure from growing temperatures also. If that were to melt, it would--or to break up and slip into the sea, it would raise sea level 20 feet worldwide. The west Antarctic ice shelf, that's on the other end of the planet, the other pole, is the part of Antarctica propped up against islands that allow it to be affected by the warming ocean but also allow it to raise sea level by 20 feet, again, if it melts or breaks off and slides into the ocean.

And these are the three areas that many scientists point to as affecting a so-called point of no return which we need to avoid because if we cross that point of no return, then the process of a downward spiral would be irretrievable. So we have to stop short of that.

Gore has written a companion book, which I'm going to order.

I'm not the only one who thinks it's a great film. Roger Ebert gave it a 4-star review

What can you do? You can go see the film and you can take action.

This is something that (should) transcend politics and nationality. We are all going to be affected by climate change, for the worse.

posted on Sunday, June 04, 2006 12:30:40 AM (Pacific Daylight Time, UTC-07:00) 
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Saturday, December 03, 2005 

I was looking up the credits of Intermission on IMDB, then decided to look up my brother, David Reilly, the actor of the family. I found him.

I couldn't find any IMDB listing for my other brother, Mark Reilly, the filmmaker.

Then I looked up my own name. I wasn't there, of course, but I did find Der Spleen des George Riley, a German TV production of a Tom Stoppard play, Enter a Free Man.

I did quite a bit of work for Irish television in the mid-to-late Eighties, but it was all behind the scenes computer graphics work for such timeless gems as Murphy's Micro Quiz'M, Rapid Roulette, the Carroll's Irish Open, and the weather maps. The only thing that was of lasting value was Live Aid. The weather display software was still in use for most of the Nineties, so I can honestly say that my work has been widely seen by millions of people. I don't think my name ever appeared in the credits, though, just that of my then employer, Lendac.

posted on Saturday, December 03, 2005 8:59:50 AM (Pacific Standard Time, UTC-08:00) 
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